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‘The Fabelmans’ is Steven Spielberg’s super-director origin story

Review by Brian Lowry, CNN “The Fabelmans” allows Steven Spielberg to turn his coming-of-age memories into what amounts to a super-director origin story, recalling both his complicated family life and early love of movies and filmmaking. It’s a deeply personal chronicle from one of cinema’s greatest talents, yielding a movie that features wonderful moments within

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Sylvester Stallone tries to rewind the clock in Paramount’s ‘Tulsa King’

Review by Brian Lowry, CNN Building on the success of “Yellowstone,” Paramount+ and producer Taylor Sheridan have seemingly seized on a streaming strategy built around casting veteran movie stars, an available commodity in an industry known for ageism. Enter “Tulsa King,” a slim vehicle for Sylvester Stallone that’s a little too overtly designed as a

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Emma Thompson says she was ‘utterly blind’ about ex-husband Kenneth Branagh’s on-set relationships

By Toyin Owoseje, CNN Two-time Oscar-winner Emma Thompson has admitted she was “utterly blind” to her ex-husband Kenneth Branagh‘s on-set relationships with other actresses and was left devastated when she found out. The “Love Actually” star married Branagh in 1989 after they met on the set of the 1987 drama series “Fortunes of War.” When

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Filmmaker Paul Haggis is ordered to pay at least $7.5 million after being found liable in a sexual assault case involving a former publicist

By Amy Simonson, CNN A jury found filmmaker Paul Haggis liable in a sexual assault case that was brought forward by a former publicist who alleged he raped her after a movie premiere in 2013. The jury ordered the Oscar-winning screenwriter to pay Haleigh Breest at least $7.5 million in damages Thursday, according to attorneys

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‘The Handmaid’s Tale’ season finale signals it’s time to begin chugging toward the show’s end

Review by Brian Lowry, CNN “The Handmaid’s Tale” certainly doesn’t suffer from a lack of media exposure or cultural capital, with recent turns in the battle over abortion rights generating regular references in progressive circles to the threat of America becoming Gilead, the repressive patriarchal society featured in Margaret Atwood’s novel. The fifth season that

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